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by John Gaskin
Can a creative pitch alone get your script produced? Pitching the script is an art that is much talked about, put into college curriculums and lauded by the Pop Culture. But, there's a big factor missing from creative pitches. It's fundamental; but broadly ignored by key creative people.
contributed by Paul Kyriazi, Feature Film Director
I get this question a lot and have a serious opinion about it:
The most important thing is to always keep your shingle hanging out, saying "I am a freelance director." Never say, "Ah I gave that up." Even if you have other jobs, never tear up your business card.
by Gordy Hoffman
I've only finished so many screenplays in my life. Writing a script all the way to the very last page is always an extremely significant, personal achievement for me. A large part of its significance is the reality that I actually wrote an ending, or, at the very least, typed "THE END."
by Gordy Hoffman
Starting a screenplay can sometimes be as hard as finishing one. Impatient to pull up to the front door of a classic motion picture, I want to get everything right so quickly. This impatience challenges my trust in the work, the creative process of screenwriting.
contributed by Nick Smith
What does a director NEED from a script? How much depth should a screenwriter go into, in terms of adding angles and camera moves?
by Don Bledsoe
The new screenwriter tends to have a love affair with is/her "baby." He's married to every word and nuance he's carefully scripted onto each page. Often, it reads more like a novel than a screenplay and usually it needs a serious rewrite. It's time to get a divorce.
by Kal Bishop
Structure is beneficial to creative output in a number of ways. There are at least two types of structure, work processes and frameworks.
by Brian Konradt
Screenwriting is a competitive trade. To distinguish yourself as a prize-winning writer you need to master organizational skills, take creative risks, and learn how best to present your final product.

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